Thursday, April 18, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Le Moyne Student Dance Company Spring 2024
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest-choreographers Erica Zimmerman and Cristina Battle. Students in the dance minor program will also perform a piece choreographed by Maria Daniel.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Ward Hayden & the Outliers
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Boston is one of America's great music towns. But among the various styles the city is known for that have launched many musical acts to success and stardom, country music wasn't a truly thriving genre there, that's until singer, songwriter and guitarist Ward Hayden and his band The Outliers (formerly known as Girls Guns & Glory) sang and played their distinctive take on C&W with a rock'n'roll kick to the top of the Boston scene and a thriving, critically acclaimed, and highly awarded career across America and in Europe.

Cruel April Poetry Reading
Point of Contact Gallery
Featuring Emily Lee Luan

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

The Dangerous Variety
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Welcome to 1961 and Club Polska where tonight local radio station WSKI will be recording their popular variety show The Hunky Dory Hour! You plan to laugh it up like always but the manager of the sausage factory where you work has mysteriously died and rumors flying around Kielbasi Park say it might be the notorious Pierogi Killer! But they're just rumors, right? You're not worried. The Impressive Sausage Company is sending their best man and if you can't trust a corporate fixer, who can you trust?

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Friday, April 19, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Annual High School Seniors’ Exhibit
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Senior high school students within a 30-mile radius were invited to submit their artwork to be juried for this exhibit by the CNY Art Guild.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

2024 MFA Exhibition 3: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Atagun Ilhan, Zihan Lin, Evelyn Liu, Feiyang Liu, Linziyu Lu, Sheez Lu, Wenyi Qian, Aletta Ren, Zixiao Song, Fan Tang, Chenyu Wang, Jinning Wang, Yuhui Zheng, Jin Zhu, Jianye Zou, Sean Zhai

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

2024 Poster Unveiling Celebration
Syracuse Poster Project

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The event celebrates this year's 12 poets and 12 artists. ?There will be music, appetizers, beverages, and a silent auction, featuring items donated by local merchants and large-format posters on panels from last year's series. You'll also get to vote for your favorite poster — the "people's choice" award.

Le Moyne Student Dance Company Spring 2024
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest-choreographers Erica Zimmerman and Cristina Battle. Students in the dance minor program will also perform a piece choreographed by Maria Daniel.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Jamie McLean Band
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Jamie McLean Band is a triple threat. The group's energetic and captivating live show is undeniable. McLean's fiery guitar has joined the ranks of Derek Trucks, Gregg Allman, Aaron Neville, Dr. John, and more on stages from Madison Square Garden to Japan's Fuji Rock. His blue-eyed southern soul vocals ooze real emotion. And his top-line songwriting chops have crafted profound, honest, and heartfelt songs that will keep you singing, dancing, and feeling like the song was written about you. Jamie McLean Band creates a musical gumbo that incorporates New Orleans soul, middle Americana roots, Delta blues, and New York City swagger.

Folkus Member Appreciation Event: Annie & The Hedonists
Folkus Project

Price: $20 regular, Folkus members free
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Jazz, blues, country, folk, bluegrass ... it's all here...

Comprised of Annie Rosen (lead vocals), Jonny Rosen (guitar and vocals), Peter Davis (clarinet, tenor guitar, piano, and vocals), and Don Young (upright bass and vocals), Annie and the Hedonists interpret the songs of the great female blues artists of the 1920s-40s: Bessie Smith, Sippie Wallace, Memphis Minnie, Billie Holiday, Rosetta Tharpe, Blue Lu Barker, Ella Fitzgerald, and others. Other styles include western swing, bluesy country, and roots Americana.

Author Steven Huff and Poet Tony Leuzzi
Downtown Writer's Center

Price: Free
YMCA
340 Montgomery St., Syracuse

Steven Huff is the author of Resting Among Us: Authors' Gravesites in Upstate New York (SU Press, 2023), two story collections, Blissful and Other Stories (Cosmographia, 2017), and A Pig in Paris (Big Pencil Press, 2007), as well as three books of poetry, most recently A Fire in the Hill (Blue Horse Press, 2017). He is a Pushcart Prize winner in fiction, and teaches creative writing in the Solstice Low-Residency MFA Program at Lasell University in Boston. The former publisher/managing editor at BOA Editions, Ltd., he served as publisher at Tiger Bark Press from 2006 until 2022. He lives in Rochester and Forestville, NY.

Tony Leuzzi is a poet, critic, and art-maker whose books of poems include, most recently, Fog Notes (2023) and Meditation Archipelago (2018), both from Tiger Bark Press. Passwords Primeval (BOA Editions 2012) is a collection of interviews with 20 American poets. He was the recipient of the State University of New York's Chancellor's Award for Scholarship and Creativity. He is a routine contributor to the "Books" section of The Brooklyn Rail, and his interviews and criticism have been published in Lambda Literary, American Literary Review, Great River Review, The Kenyon Review (Online), The Poetry Society of America, and elsewhere.

This event will take place in person and online.

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Stephen Sondheim's Company, a staged concert
Covey Theatre Company
Garrett Heater, director

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Stephen Sondheim's break-out 1970 hit explores the ups and downs of relationships, marriages, and identity with a string of memorable tunes, including "Getting Married Today," "Ladies Who Lunch," and "Being Alive." This staged concert features a 9-piece orchestra, choreography, and a starry local cast, bringing Sondheim's score to blazing life.

Read a review!

Preview: The Droll (or, A Stage-Play About the End of Theatre)
Syracuse University Drama Department
Celia Madeoy, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In 2011, playwright Meg Miroshnik pondered the question, "What would it have been like to discover a passion for acting during the 18 years in which theater was illegal and considered an abomination in 17th-century Puritan England?" She also posed the question: "What is it like to fall in love with theater today in the face of anxieties about its future and future audiences?" This daring and darkly funny play celebrates our need to come together in the act of collective storytelling.

Saturday, April 20, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Annual High School Seniors’ Exhibit
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Senior high school students within a 30-mile radius were invited to submit their artwork to be juried for this exhibit by the CNY Art Guild.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

2024 MFA Exhibition 3: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Atagun Ilhan, Zihan Lin, Evelyn Liu, Feiyang Liu, Linziyu Lu, Sheez Lu, Wenyi Qian, Aletta Ren, Zixiao Song, Fan Tang, Chenyu Wang, Jinning Wang, Yuhui Zheng, Jin Zhu, Jianye Zou, Sean Zhai

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Le Moyne Student Dance Company Spring 2024
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest-choreographers Erica Zimmerman and Cristina Battle. Students in the dance minor program will also perform a piece choreographed by Maria Daniel.

Le Moyne Student Dance Company Spring 2024
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

LSDC presents its spring recital with over a dozen routines in a variety of styles, choreographed by students and guest-choreographers Erica Zimmerman and Cristina Battle. Students in the dance minor program will also perform a piece choreographed by Maria Daniel.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

YunZhe Lin
Skaneateles Library Guitar Series

Price: Free
Skaneateles Library
49 E. Genesee St., Skaneateles

YunZhe Lin is a classical guitarist originally from Shenzhen, China. Described as "possessing a refined, flawless, and powerful technique, along with a state-of-the-art knowledge of performance practices from all style periods," Lin, as an active performer, has been met with high praise for his numerous performances across the United States and Asia.

Lin is currently in pursuit of his Doctor of Musical Arts degree at Eastman School of Music, studying under Dr. Nicholas Goluses. Holding a Performer's Certificate from Eastman, Lin also serves as a Teaching Assistant in the Guitar Department, where his role encompasses teaching fretboard harmony, guitar pedagogy, guitar history, guitar chamber music, and private lessons. Lin earned his Master of Music degree and Performer Diploma from the Jacobs School of Music at Indiana University, where he studied with Maestro Ernesto Bitetti. He received his Bachelor's degree from the Central Conservatory of Music in Beijing, China. In 2023, Lin serves as an Adjunct Artist in Music at Vassar College.

Masterworks Series: Opera's Greatest Hits
Syracuse Orchestra (formerly Symphoria)
Lawrence Loh, conductor
Featuring Jasmine Habersham, soprano; Laurel Semerdjian, mezzo-soprano; Jarrett Ott, baritone

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Enjoy familiar opera choruses and arias from favorites like Verdi, Puccini, Donizetti, Rossini, and Wagner.

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Stephen Sondheim's Company, a staged concert
Covey Theatre Company
Garrett Heater, director

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Stephen Sondheim's break-out 1970 hit explores the ups and downs of relationships, marriages, and identity with a string of memorable tunes, including "Getting Married Today," "Ladies Who Lunch," and "Being Alive." This staged concert features a 9-piece orchestra, choreography, and a starry local cast, bringing Sondheim's score to blazing life.

Read a review!

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Opening: The Droll (or, A Stage-Play About the End of Theatre)
Syracuse University Drama Department
Celia Madeoy, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In 2011, playwright Meg Miroshnik pondered the question, "What would it have been like to discover a passion for acting during the 18 years in which theater was illegal and considered an abomination in 17th-century Puritan England?" She also posed the question: "What is it like to fall in love with theater today in the face of anxieties about its future and future audiences?" This daring and darkly funny play celebrates our need to come together in the act of collective storytelling.

Sunday, April 21, 2024

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

2024 MFA Exhibition 3: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Atagun Ilhan, Zihan Lin, Evelyn Liu, Feiyang Liu, Linziyu Lu, Sheez Lu, Wenyi Qian, Aletta Ren, Zixiao Song, Fan Tang, Chenyu Wang, Jinning Wang, Yuhui Zheng, Jin Zhu, Jianye Zou, Sean Zhai

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

*SOLD OUT* Shakedown Sunday
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Shakedown Sunday is a monthly series hosted by Jeffrey Pepper Rodgers and members of Dead to the Core, with special guests, that celebrates the Grateful Dead—not just the band's originals but songs from across the roots and rock worlds they made their own.

The April Shakedown Sunday features Jeffrey Pepper Rodgers, Wendy Sassafras Ramsay, and Tim Burns of Dead to the Core with Brian Welch and special guest Tim Herron.

Jonathan Kleefield, Wurlitzer theater pipe organ
Syracuse Wurlitzer

Price: $15 adults, $5 children (tickets at the door, cash only)
Empire Theater
New York State Fairgrounds, Geddes

Basque and Beethoven with the Finger Lakes Trio
Civic Morning Musicals
Featuring Sonya Stith Williams, violin; Heidi Hoffman, cello; Robert Auler, piano

Price: $20
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Turina Circulo, Op. 91
Beethoven Piano Trio in D Major, Op.70, No.1 "Ghost"
Ravel Piano Trio

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

The Droll (or, A Stage-Play About the End of Theatre)
Syracuse University Drama Department
Celia Madeoy, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In 2011, playwright Meg Miroshnik pondered the question, "What would it have been like to discover a passion for acting during the 18 years in which theater was illegal and considered an abomination in 17th-century Puritan England?" She also posed the question: "What is it like to fall in love with theater today in the face of anxieties about its future and future audiences?" This daring and darkly funny play celebrates our need to come together in the act of collective storytelling.

Hadestown
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical and the 2020 Grammy Award for Best Musical Theater Album, this acclaimed new show from celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today ... and always.

Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. Mitchell's beguiling melodies and Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

Read a review!

Monday, April 22, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 MFA Exhibition 3: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Atagun Ilhan, Zihan Lin, Evelyn Liu, Feiyang Liu, Linziyu Lu, Sheez Lu, Wenyi Qian, Aletta Ren, Zixiao Song, Fan Tang, Chenyu Wang, Jinning Wang, Yuhui Zheng, Jin Zhu, Jianye Zou, Sean Zhai

That Night in Rio (1941)
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Cast: Alice Faye, Don Ameche, Carmen Miranda, S.Z. Sakall, J. Carroll Naish, Leonid Kinskey, Curt Bois
Director: Irving Cummings

Lavish, colorful and very entertaining musical-comedy about a nightclub performer (Ameche) who must pose as a look-alike Baron in order to salvage a shaky business deal. Great comedy, musical numbers and all-around fun from 20th Century-Fox. In Technicolor.

*SOLD OUT* Vanessa Collier
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Winner of three Blues Music Awards including a win for the 2022 Award for Contemporary Blues Female Artist. Vanessa Collier blends rock, soul, and blues and is a winner of three Blues Music Awards including a win for the 2022 Award for Contemporary Blues Female Artist. This year Vanessa is busy touring summer festivals highlighted by shows at the Rochester International Jazz Festival, RBC Ottawa Blues Festival, Winthrop Rhythm & Roots Festival, and a two-week tour of Europe. Vanessa graduated with a dual degree from the prestigious Berklee College of Music and was invited to play alongside Annie Lennox and Willie Nelson at Berklee's commencement address. She also worked with Kathy Mattea, Bill Cooley, Patrice Rushen, and many more visiting artists while studying at Berklee. Her influences include among others Bonnie Raitt, Norah Jones, and The Wood Brothers.

Tuesday, April 23, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Annual High School Seniors’ Exhibit
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Senior high school students within a 30-mile radius were invited to submit their artwork to be juried for this exhibit by the CNY Art Guild.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

2024 MFA Exhibition 3: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Atagun Ilhan, Zihan Lin, Evelyn Liu, Feiyang Liu, Linziyu Lu, Sheez Lu, Wenyi Qian, Aletta Ren, Zixiao Song, Fan Tang, Chenyu Wang, Jinning Wang, Yuhui Zheng, Jin Zhu, Jianye Zou, Sean Zhai

Jazz at Timber Banks: John Rohde's Pastabilities Trio
CNY Jazz Arts Foundation

Price: No cover
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

*SOLD OUT* Vanessa Collier
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Winner of three Blues Music Awards including a win for the 2022 Award for Contemporary Blues Female Artist. Vanessa Collier blends rock, soul, and blues and is a winner of three Blues Music Awards including a win for the 2022 Award for Contemporary Blues Female Artist. This year Vanessa is busy touring summer festivals highlighted by shows at the Rochester International Jazz Festival, RBC Ottawa Blues Festival, Winthrop Rhythm & Roots Festival, and a two-week tour of Europe. Vanessa graduated with a dual degree from the prestigious Berklee College of Music and was invited to play alongside Annie Lennox and Willie Nelson at Berklee's commencement address. She also worked with Kathy Mattea, Bill Cooley, Patrice Rushen, and many more visiting artists while studying at Berklee. Her influences include among others Bonnie Raitt, Norah Jones, and The Wood Brothers.

Wednesday, April 24, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Annual High School Seniors’ Exhibit
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Senior high school students within a 30-mile radius were invited to submit their artwork to be juried for this exhibit by the CNY Art Guild.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

2024 MFA Exhibition 3: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Atagun Ilhan, Zihan Lin, Evelyn Liu, Feiyang Liu, Linziyu Lu, Sheez Lu, Wenyi Qian, Aletta Ren, Zixiao Song, Fan Tang, Chenyu Wang, Jinning Wang, Yuhui Zheng, Jin Zhu, Jianye Zou, Sean Zhai

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

*SOLD OUT* Vanessa Collier
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Winner of three Blues Music Awards including a win for the 2022 Award for Contemporary Blues Female Artist. Vanessa Collier blends rock, soul, and blues and is a winner of three Blues Music Awards including a win for the 2022 Award for Contemporary Blues Female Artist. This year Vanessa is busy touring summer festivals highlighted by shows at the Rochester International Jazz Festival, RBC Ottawa Blues Festival, Winthrop Rhythm & Roots Festival, and a two-week tour of Europe. Vanessa graduated with a dual degree from the prestigious Berklee College of Music and was invited to play alongside Annie Lennox and Willie Nelson at Berklee's commencement address. She also worked with Kathy Mattea, Bill Cooley, Patrice Rushen, and many more visiting artists while studying at Berklee. Her influences include among others Bonnie Raitt, Norah Jones, and The Wood Brothers.

The Droll (or, A Stage-Play About the End of Theatre)
Syracuse University Drama Department
Celia Madeoy, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In 2011, playwright Meg Miroshnik pondered the question, "What would it have been like to discover a passion for acting during the 18 years in which theater was illegal and considered an abomination in 17th-century Puritan England?" She also posed the question: "What is it like to fall in love with theater today in the face of anxieties about its future and future audiences?" This daring and darkly funny play celebrates our need to come together in the act of collective storytelling.

Thursday, April 25, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Annual High School Seniors’ Exhibit
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Senior high school students within a 30-mile radius were invited to submit their artwork to be juried for this exhibit by the CNY Art Guild.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

2024 MFA Exhibition 3: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Atagun Ilhan, Zihan Lin, Evelyn Liu, Feiyang Liu, Linziyu Lu, Sheez Lu, Wenyi Qian, Aletta Ren, Zixiao Song, Fan Tang, Chenyu Wang, Jinning Wang, Yuhui Zheng, Jin Zhu, Jianye Zou, Sean Zhai

Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Cruel April Poetry Reading
Point of Contact Gallery
Featuring Vickie Vértiz

Price: Free
Online

Sesame Street Live! Say Hello
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Elmo, Abby Cadabby, Cookie Monster, and their friends from Sesame Street are coming to your neighborhood to say hello! In Sesame Street Live! Say Hello, you can sing and dance with your favorite furry friends while enjoying fun surprises along the way. So put on your dancing shoes and make your way to where the air is sweet for this all-new celebration on Sesame Street!

Plan 9 from Outer Space
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Celebrate the eclipse with the worst movie ever made, live on stage with a bombastic soundtrack provided by the Le Moyne College Symphony Orchestra! Directed by Matt Chiorini with musical direction by Travis Newton, this new stage adaptation is by Brian Newell based on the screenplay by Ed Wood.

The Droll (or, A Stage-Play About the End of Theatre)
Syracuse University Drama Department
Celia Madeoy, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

In 2011, playwright Meg Miroshnik pondered the question, "What would it have been like to discover a passion for acting during the 18 years in which theater was illegal and considered an abomination in 17th-century Puritan England?" She also posed the question: "What is it like to fall in love with theater today in the face of anxieties about its future and future audiences?" This daring and darkly funny play celebrates our need to come together in the act of collective storytelling.