Friday, March 28, 2025

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

How to Succeed in Business Without Really Trying
Covey Theatre Company

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Big business means big laughs in this delightfully clever lampoon of life on the corporate ladder. A tune-filled comic gem that took Broadway by storm, winning both the Tony Award for Best Musical and a Pulitzer Prize, How to Succeed in Business without Really Trying boasts an exhilarating score by Frank Loesser, including "I Believe in You," "Brotherhood of Man," and "The Company Way."

A satire of big business and all it holds sacred, How to Succeed in Business without Really Trying follows the rise of J. Pierrepont Finch, who uses a little handbook called How to Succeed in Business without Really Trying to climb the corporate ladder from lowly window washer to high-powered executive, tackling such familiar but potent dangers as the aggressively compliant "company man," the office party, backstabbing coworkers, caffeine addiction, and, of course, true love.

   

Preview: What the Moon Saw, or I Only Appear to Be Dead
Syracuse University Drama Department
Danyon Davis, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fantastical collage of Hans Christian Andersen's fairy tales told through a post-9/11 lens, by Stephanie Fleishman. Traveling to Shanghai to celebrate his 200th birthday, Andersen encounters mermaids, a street urchin, a supermodel, teenagers in love, a cabdriver, firemen, and husks of humans who appear as ghouls in this "kaleidoscopic meditation on how we move through calamity" inspired by Andersen's fragile, timeless tales.

Tickets

   

Saturday, March 29, 2025

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

Dave Novak Five
Steeple Coffee House

Price: $15-$20 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

   

How to Succeed in Business Without Really Trying
Covey Theatre Company

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Big business means big laughs in this delightfully clever lampoon of life on the corporate ladder. A tune-filled comic gem that took Broadway by storm, winning both the Tony Award for Best Musical and a Pulitzer Prize, How to Succeed in Business without Really Trying boasts an exhilarating score by Frank Loesser, including "I Believe in You," "Brotherhood of Man," and "The Company Way."

A satire of big business and all it holds sacred, How to Succeed in Business without Really Trying follows the rise of J. Pierrepont Finch, who uses a little handbook called How to Succeed in Business without Really Trying to climb the corporate ladder from lowly window washer to high-powered executive, tackling such familiar but potent dangers as the aggressively compliant "company man," the office party, backstabbing coworkers, caffeine addiction, and, of course, true love.

   

Opening: What the Moon Saw, or I Only Appear to Be Dead
Syracuse University Drama Department
Danyon Davis, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fantastical collage of Hans Christian Andersen's fairy tales told through a post-9/11 lens, by Stephanie Fleishman. Traveling to Shanghai to celebrate his 200th birthday, Andersen encounters mermaids, a street urchin, a supermodel, teenagers in love, a cabdriver, firemen, and husks of humans who appear as ghouls in this "kaleidoscopic meditation on how we move through calamity" inspired by Andersen's fragile, timeless tales.

Tickets

   

Sunday, March 30, 2025

It Came from the '70s
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The 1970s were a time of radical change in the field of ceramics. Artists began to grasp clay's potential when it came to Conceptual Art, Minimalism, Land Art, Performance Art, and other movements of the era.

In the wake of the 1960s, artists felt free to use humor for self-expression, shock value, or to serve as a "spoonful of sugar" to deliver a message. While the 1970s are usually seen as a time of wild individual expression, the decade also saw the development of a network of galleries and collectors that would ultimately professionalize the field and develop grudging respect from the fine art world. "It Came From the '70s" features groovy works from the Everson collection that tell these stories.

   

What the Moon Saw, or I Only Appear to Be Dead
Syracuse University Drama Department
Danyon Davis, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fantastical collage of Hans Christian Andersen's fairy tales told through a post-9/11 lens, by Stephanie Fleishman. Traveling to Shanghai to celebrate his 200th birthday, Andersen encounters mermaids, a street urchin, a supermodel, teenagers in love, a cabdriver, firemen, and husks of humans who appear as ghouls in this "kaleidoscopic meditation on how we move through calamity" inspired by Andersen's fragile, timeless tales.

Tickets

   

Wednesday, April 2, 2025

What the Moon Saw, or I Only Appear to Be Dead
Syracuse University Drama Department
Danyon Davis, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fantastical collage of Hans Christian Andersen's fairy tales told through a post-9/11 lens, by Stephanie Fleishman. Traveling to Shanghai to celebrate his 200th birthday, Andersen encounters mermaids, a street urchin, a supermodel, teenagers in love, a cabdriver, firemen, and husks of humans who appear as ghouls in this "kaleidoscopic meditation on how we move through calamity" inspired by Andersen's fragile, timeless tales.

Tickets

   

Thursday, April 3, 2025

What the Moon Saw, or I Only Appear to Be Dead
Syracuse University Drama Department
Danyon Davis, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fantastical collage of Hans Christian Andersen's fairy tales told through a post-9/11 lens, by Stephanie Fleishman. Traveling to Shanghai to celebrate his 200th birthday, Andersen encounters mermaids, a street urchin, a supermodel, teenagers in love, a cabdriver, firemen, and husks of humans who appear as ghouls in this "kaleidoscopic meditation on how we move through calamity" inspired by Andersen's fragile, timeless tales.

Tickets

   

Friday, April 4, 2025

Monteverdi Vespers of 1610
NYS Baroque

Price: $30 regular, $10 student/low income
St. Paul's Syracuse
220 E. Fayette St., Syracuse

The iconic masterpiece, performed here for the first time in 10 years! Paul O'Dette conducts 25 brilliant Pegasus musicians, including singers, trombones, cornettos, strings, and theorbos.

There will be a pre-concert talk at 6:45 pm.

Tickets

   

Lucy Kaplansky
Folkus Project

Price: $25 regular, $22 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Lucy Kaplansky started out singing in Chicago folk music clubs as a teenager. With a beautiful flair for harmony, Lucy was everyone's favorite singing partner, but most often she found herself singing as a duo with Shawn Colvin. Kaplansky draws from personal experiences for her lyrical subject matter. Universal themes of loss, longing and loneliness, as well as love, joy, friendship and hope, are all propelled musically by roots-based instruments including acoustic guitars, mandolin, piano, and percussion. She has released nine solo albums and several collaborations with others, including Dar Williams, Richard Shindell, John Gorka, and Eliza Gilkyson.

Tickets

   

What the Moon Saw, or I Only Appear to Be Dead
Syracuse University Drama Department
Danyon Davis, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fantastical collage of Hans Christian Andersen's fairy tales told through a post-9/11 lens, by Stephanie Fleishman. Traveling to Shanghai to celebrate his 200th birthday, Andersen encounters mermaids, a street urchin, a supermodel, teenagers in love, a cabdriver, firemen, and husks of humans who appear as ghouls in this "kaleidoscopic meditation on how we move through calamity" inspired by Andersen's fragile, timeless tales.

Tickets